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Adventures of the Black Square by Kazimir Malevich

28 june 2007—15 october 2007
As it approaches its centenary, the Black Square still retains its status as the most radical object in Russian art. The square continues to excite our hearts and minds, remaining enigmatic and incomprehensible. New generations still look with hope or indignation into its "black, straight abyss…" The exhibition enables to follow various transformations of this image. And what has not happened to our poor square! It has been quoted, copied, analyzed and criticized. Trampled, transformed, conquered, deciphered and even buried. Abridged and magnified, subjected to x-rays and "painterly working." Camouflaged, burnt, beaten, washed and eaten. Dug up, planted and created from berries, coins, seeds, flies and even worms. Or, alternatively, elevated to a state of gold. It has been manufactured from corrugated paper, rough fabric, rubber and even petroleum, spread out on Red Square, given spectacles, boots and wheels, made to look and speak, turned into plastic bags, pillows, traditional knickknacks, a hunk of black bread, card table, computer screen, window and cosmic space. The square has been packed off on a tour of St Petersburg, through the history of Russian and world of art, and attached to personal biographies. It has been uncovered in reality — in the shadows of Tibet, on the roofs and walls of urban houses and on the gates of a wooden barn. The artists (according to the words of one of the participants of the project about "symmetrical" Gioconda) perceive the Black Square as "an interactive polygon for the testing of new ideas." The modern interest in the creation of new versions of the Black Square is largely the service of Malevich himself. He is the main force behind the adventures of his child. The master painted several pictures on this "subject" and confirmed the square as a universal formula — the primordial Suprematist "cell," transformed into new geometric configurations. He falsified its date of birth and employed it as the emblem of Suprematism, the UNOVIS party symbol, a philosophical concept and his own personal signature.
Exhibitions
Kuzma Petrov-Vodkin. On the 140th Anniversary of the Artist’s Birth

Kuzma Petrov-Vodkin. On the 140th Anniversary of the Artist’s Birth

25 may—20 august 2018

Large-scale retrospective exhibition will present the artist’s milestone works, encompassing his entire career, from well-known masterpieces to forgotten ones, from those held in state museums to those owned by private collectors.

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Sport in Soviet Porcelain, Graphic Arts, and Sculpture

Sport in Soviet Porcelain, Graphic Arts, and Sculpture

25 april—30 july 2018

The exhibition includes around 350 ceramic works devoted to the topics of sport and healthy lifestyle and made in the Soviet Union/Russia between the 1920s and the early 1990s by major national porcelain manufacturers.

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Also in the Russian Museum
The Russian Museum recommends
Collection highlights
Collection highlights

The collection of masterpieces, chosen by the Russian Museum will allow you to make a first impression of the collection of the Russian Museum.

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Virtual tours
Virtual tours

Russian Museum - one of the world's largest museums and is perhaps the only country where such a full treasure of national culture are presented.
Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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Online Shop
Online Shop

In the online shop of the Russian Museum presented a huge range of souvenirs, illustrated editions and multimedia disks.

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Mobile Apps
Mobile Apps

Google PlayApp Store

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