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Adventures of the Black Square by Kazimir Malevich

28 june 2007—15 october 2007
As it approaches its centenary, the Black Square still retains its status as the most radical object in Russian art. The square continues to excite our hearts and minds, remaining enigmatic and incomprehensible. New generations still look with hope or indignation into its "black, straight abyss…" The exhibition enables to follow various transformations of this image. And what has not happened to our poor square! It has been quoted, copied, analyzed and criticized. Trampled, transformed, conquered, deciphered and even buried. Abridged and magnified, subjected to x-rays and "painterly working." Camouflaged, burnt, beaten, washed and eaten. Dug up, planted and created from berries, coins, seeds, flies and even worms. Or, alternatively, elevated to a state of gold. It has been manufactured from corrugated paper, rough fabric, rubber and even petroleum, spread out on Red Square, given spectacles, boots and wheels, made to look and speak, turned into plastic bags, pillows, traditional knickknacks, a hunk of black bread, card table, computer screen, window and cosmic space. The square has been packed off on a tour of St Petersburg, through the history of Russian and world of art, and attached to personal biographies. It has been uncovered in reality — in the shadows of Tibet, on the roofs and walls of urban houses and on the gates of a wooden barn. The artists (according to the words of one of the participants of the project about "symmetrical" Gioconda) perceive the Black Square as "an interactive polygon for the testing of new ideas." The modern interest in the creation of new versions of the Black Square is largely the service of Malevich himself. He is the main force behind the adventures of his child. The master painted several pictures on this "subject" and confirmed the square as a universal formula — the primordial Suprematist "cell," transformed into new geometric configurations. He falsified its date of birth and employed it as the emblem of Suprematism, the UNOVIS party symbol, a philosophical concept and his own personal signature.
Exhibitions
Folk Art of the Nizhny Novgorod Region

Folk Art of the Nizhny Novgorod Region

21 december 2017—26 march 2018

The exhibition amasses impressive handiwork by artisans of the Niznny Novgorod Region, including unique pieces of Khokhloma and Gorodets painting, metalware, women costumes, wooden toys, and ceramic ware.

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Henryk Siemiradzki and Russian Artists’ Colony in Rome

Henryk Siemiradzki and Russian Artists’ Colony in Rome

20 december 2017—2 april 2018

Henryk Siemiradzki (1843–1902), graduate of the St. Petersburg Academy of Arts, is one of the most prominent masters of the late 19th century European academic painting. His career in art was closely interwoven with Rome. The exhibition will unite 125 artworks by Siemiradzki and his contemporaries, Russian academic painters and sculptors, who worked in the Eternal City in the second half of the 19th century and the early 20th century.

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Also in the Russian Museum
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Collection highlights
Collection highlights

The collection of masterpieces, chosen by the Russian Museum will allow you to make a first impression of the collection of the Russian Museum.

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Virtual tours
Virtual tours

Russian Museum - one of the world's largest museums and is perhaps the only country where such a full treasure of national culture are presented.
Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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Online Shop
Online Shop

In the online shop of the Russian Museum presented a huge range of souvenirs, illustrated editions and multimedia disks.

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Mobile Apps

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