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In Malevich's Circle: Confederates, Students and Followers in Russia 1920s-1950s

In Malevich's Circle: Confederates, Students and Followers in Russia 1920s-1950s

400 pages with 288 colour and 106 black-and-white illustrations.
Format: 30.5 x 24.5 cm; Russian/English
This publication is dedicated to the confederates and followers of Kazimir Malrvich - those who worked alongside the great artist, studied under him at the Vitebsk School of Art and Institute of Artistic Culture in Petrograd, or otherwise considered themselves members of the "Malevich school". The book contains monographic essays on such artists as El Lissizky, Vera Yermolaeva, Nikolai Suetin, Ilya Chashnik, Lazar Khidekel, Lev Yudin and Anna Leporskaya, articles on the history of UNOVIS and the Institute of Artistic Culture and archive documents, letters and memoirs, many of them published here for the first time.

Kazimir Malevich in the Russian Museum

450 pages with 380 colour and 113 black-and-white illustrations
Format: 31.5 x 24.5 cm; English, Swedish and Finnish

Le Fauvisme ou "L'epreuvre de feu". Eruption de la modernite en Europe

Musee d'At Moderne de la Ville de Paris, Paris, 2000

Stroganoff: The Palace and Collections of a Russian Noble Family

256 pages with colour and black-and-white illustrations.
Harry Abrams, New York, 2000

Schonberg, Kandinsky, Der blaue Reiter und russische Avantgarde

285 pages with colour and black-and-white illustrations.
Journal of the Arnold Schonberg Center, 2000

Sin objecto. La Vanguardia rusa en la collection del museo estatal de San Petersburgo. 1910-1930

103 pages with colour and black-and-white illustrations.
Caixnova, 2000

Le Symbolisme russe

210 pages with colour and black-and-white illustrations.
Bordeaux, 2000

Kazimir Malevich e le sacre icon russe. Avanguardia e tradizioni

Kazimir Malevich e le sacre icon russe. Avanguardia e tradizioni

261 pages with colour and black-and-white illustrations.
Electa, Milan, 2000

Chagall en Rusia

101 pages with colour and black-and-white illustrations.
Caja Duero, 2000

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