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FILM POSTERS FROM THE COLLECTION OF THE RUSSIAN MUSEUM

G.Alexeyev. Poster for the film “Toward evening, one inclement autumn...”. Moscow, 1917. Chromolithograph.
10 september 2014—3 november 2014

The exhibition explores the development of Russian film poster of the first third of the XX century. More than 100 posters of the silent film era from the Russian Museum collection represent different stages of the evolution of this genre. Pre-revolutionary posters were made in the characteristic stylistics of the mass art, expressing the taste of the wide audience. The 1920-s saw flourishing of this genre, when artists of the Soviet avant-garde made the movie poster part of the great art, despite of its initially applied purpose.

Development of film posters reflected the major artistic trends of this era: from stylized primitivism of lubok pictures, through exquisite compositions of art nouveau to the laconic and conventional forms of constructivism. Masters of the film poster were thoroughly examining and employing various methods of plastic expression, including photomontage. The exhibition presents the first Russian artists of the movie poster: from the pioneers of this genre (G. Alexeev, M. Kalmanson, P. Zhitkov) to the avant-garde maîtres (A. Lavinsky, brothers Stenberg, N. Prusakov, M. Wexler and others). 

Unknown artist. Poster for the film The Sacred Tiger. Leningrad, 1924. A. Lavinsky. Poster for the film Strike. Moscow, 1925. Chromolithograph. M. Veksler. Poster for the film Children of the Storm. Moscow, 1926. Chromolithograph. N. Prusakov. Poster for the film Ranks and People. Moscow, 1929. Chromolithograph. VLADIMIR AND GEORGY STENBERG, YAKOV RUKLEVSKY. Poster for the film October. Moscow: Sovkino, 1927 Chromolithograph. 263 x 200

Exhibitions
Alexey Vaulin. Living Substance

Alexey Vaulin. Living Substance

27 april—19 june 2023

Alexey Vaulin stands out as one of the most vibrant and consistent purveyors of contemporary abstract art on the Russian art scene. This exhibition spotlights around 50 of his works, spanning his career.

Parallel Universes. From Abstraction to Artefact. The Collection of Natalia Opaleva

Parallel Universes. From Abstraction to Artefact. The Collection of Natalia Opaleva

3 march—26 june 2023

The State Russian Museum presents the exhibition project Parallel Universes. From Abstraction to Artefact showing works by 36 artists of the second half of the 20th century from the collection of Natalia Opaleva, a well-known collector, founder and general director of the AZ Museum (Anatoly Zverev). The exhibition introduces visitors of the Marble Palace to more than 200 paintings and graphic works by underground masters of the 1960s–1980s: Anatoly Zverev, Dmitri Plavinsky, Dmitry Krasnopevtsev, Oleg Tselkov, Lidia Masterkova and Ernst Neizvestny.

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Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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