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Mikhail Karasik. Selfportrait

4 september 2003—28 september 2003
The exhibition includes works by Mikhail Karasik - an avowed leader of artist's book current in Russia. Self-portrait is a certain sizing up and is devoted to the semi-centennial of the author. The exhibition showcases books whose texts have been written by the artist himself, and many of them can be characterized as autobiographic, or even "dairy" like. Mikhail Karasik is a leading author, ideologist, organizer, and promoter of modern Russian artist's book towards the West; his works are kept in the most prestigious world libraries and museums. Emphasizing plastic and not literary nature of his books, the artists form them as an inner sole, a mitten, a vodka bottle, or disposable utensil. They can be round, long, polygonal, or folded like a fan. All the books have their cases of jackets; so that one can not only read them but also play with them, communicate with them. Passport, Sberknizhka (savings-bank book), Trudovaya knizhka (work record card) are those official papers without which a person does not exist for a society. But for Karasik these books become a kind of autobiographic prose, sometimes extremely frank one. Unlike conceptualists, who work mainly with foreign language and in foreign language, Karasik always talks about himself emphasizing confidential, intimate nature of conversation: texts of his books are hand-written and in all the copies occasional slips and mistakes are repeated. In his oeuvre, Karasik uses tradition of the Russian futuristic book of 1910-1920s - lithographic publications with illustrations by K.Malevich, M.Larionov, N.Goncharova, O.Rosanova, and P.Filonov. However, while futuristic books with their exercisebooks-like untidy look were meant to epater and to be knowingly anti-aesthetic, Karasik's books, on the contrary, are elegantly aesthetic. The artist thinks carefully over all the elements of decoration, he experiments with paper, use advertising posters and tracing paper; pattern for embroidery and rough cardboard. The fact that form of every book is carefully thought over has conceptual meaning, since a book is seen by the artist as a detailed metaphor of contents.
Exhibitions
Igor Tcholaria. Taming the Chaos

Igor Tcholaria. Taming the Chaos

23 september—7 november 2022

Taming the Chaos, a solo exhibition of the work of Igor Tcholaria, numbers some 60 paintings, graphic artworks and sculptures. Igor Tcholaria was born in Abkhazia, which stretches along the coast of the Black Sea. He received his basic grounding in art at the Sukhumi Art School, and subsequently continued his education in Leningrad, at the Vera Mukhina School and the Academy of Arts.

Armchairs, chairs and stools in Russian art of the 18th-20th centuries

Armchairs, chairs and stools in Russian art of the 18th-20th centuries

18 august 2022—9 january 2023

This exhibition will introduce viewers to the furniture preserved in the Russian Museum, a collection the public is not very familiar with. It will also open up a new perspective on well-known Russian works of art. What kinds of chairs exist? What are they made of? What do people do while seated? What poses do they adopt? What does an empty chair mean? A synthesis of painting, graphic art, sculpture, applied art, and design, the Russian Museum’s exhibition stimulates ideas on these questions and more.

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Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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