More than 100 paintings and graphic works (mainly from 1980s to 2000s) by Pavel Nikonov from the collections of the Russian Museum, the Tretyakov Gallery, and the other museums of Russia as well as from the artist’s collection were presented on the exhibition.
Pavel Nikonov belonged to the generation of “the men of the 1960s”. He was one of the founders of so-called austere style. But soon he moved away from it and therefore he evaded the stamp that established itself on many years in the Soviet painting.
From 1980s the village theme was at the centre of his creative oeuvre. During the period from 1985 to 2001 Pavel Nikonov created his “Village Cycle”, where he opened the truth about today’s, living and at the same time dieing village. In the idea of the artist a village is at the centre of the world and includes an earth, sky, human being and his labour that he carries as a burden during all his life until the end of the days.
Pavel Nikonov revived in his paintings classical and simple human language – the language of creator of myths. Eternity that is connected with a swift-flowing life is reflected in his creative oeuvre.
13 september—29 october 2018
A retrospective exhibition of works by Igor and Ekaterina Pestov focusing on the most burning issues of today’s world: consumption, spiritual void, aggression, and human vulnerability.
5 september—22 october 2018
Works by a renowned German artist offer a glimpse into the emotional life of African people, their relationships and everyday life in a situation of constant social and political turmoil.
The collection of masterpieces, chosen by the Russian Museum will allow you to make a first impression of the collection of the Russian Museum.
Russian Museum - one of the world's largest museums and is perhaps the only country where such a full treasure of national culture are presented.
Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)
In the online shop of the Russian Museum presented a huge range of souvenirs, illustrated editions and multimedia disks.
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