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PULLER IN RUSSIA. 1900-1920s

Supported by:
  • Severstal
Unknown artist. The Plants of the Agricultural Machines and Implements «John Grieves and Company», Berdyansk. 1900’s. Chromolitograph. 66 х 86,5.
7 july 2010—10 august 2010
The exposition includes about 100 samples of the Russian advertising poster of the 1900–1920’s from the collection of the Russian Museum. These works helps to trace back the history of the art of the commercial and industrial and the advertising of the services sphere on the example of the repeatedly published and little-known posters, created mainly by the Petersburg-Leningrad artists. The most part of the posters is exhibited for the first time.

The most part of the exhibited posters of the 1900–1910’s shows the strong influence of the plastic means of the Modern style and the expressive language of the popular prints and signboards. In a number of advertising posters of this time the romantic female image is used/ These posters were the universal personification of different goods and services. In the 1920’s – the period of NEP (the New Economic Policy) in this sphere of the applied printed graphic became essential the innovatory experiments of the consructivist artists. The wide circulation received also the traditional forms of realistic art. The most significant exhibited samples of advertising poster of this time are the works by A. Rodchenko, V. Mayakovskyi and D. Bulanov.

Unknown artist. Mariynskiy Iron and Machine-building Plant … Alexandrovsk, Ekaterinoslavsky province. 1900’s. Chromolitograph. 85 х 63,4. Tobacco Advertising. «Butterfly» Sigarettes. Company of the Tobacco Factory «A.N. Shaposhnikov and Company », St.Petersburg, 1900’s. Chromolitograph. 77,7 х 51,5. Unknown artist. «Prima» Tooth powder. Chromolitograph. Diameter 42,5. Unknown artist. (MI Monogrammer). The Best Rest is Spending Your Vacation on Volga. 1920’s. Chromolitograph. 24,7 х 36. V. Kabak, S. Mirzayanz. The “Selmash” (Agricultural Machine-building) Syndicate. 1920’s. Chromolitograph. 72,3 х 107,6. Unknown artist. Мarble Soap is Very Best”. Candles, Parfume. Chromolitograph. 33,2 х 43,3. The Advertising Bureau of the OTKOMHOZ. 1926-1928.Chromolitograph. 27 х 36,5. Radio Advertising Puller. 1926-1928. Photolitography. 39,7 х 45,3.

Exhibitions
Alexey Vaulin. Living Substance

Alexey Vaulin. Living Substance

27 april—19 june 2023

Alexey Vaulin stands out as one of the most vibrant and consistent purveyors of contemporary abstract art on the Russian art scene. This exhibition spotlights around 50 of his works, spanning his career.

Parallel Universes. From Abstraction to Artefact. The Collection of Natalia Opaleva

Parallel Universes. From Abstraction to Artefact. The Collection of Natalia Opaleva

3 march—26 june 2023

The State Russian Museum presents the exhibition project Parallel Universes. From Abstraction to Artefact showing works by 36 artists of the second half of the 20th century from the collection of Natalia Opaleva, a well-known collector, founder and general director of the AZ Museum (Anatoly Zverev). The exhibition introduces visitors of the Marble Palace to more than 200 paintings and graphic works by underground masters of the 1960s–1980s: Anatoly Zverev, Dmitri Plavinsky, Dmitry Krasnopevtsev, Oleg Tselkov, Lidia Masterkova and Ernst Neizvestny.

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