Branches:

SAUKA FAMILY

Supported by:
  • The Ministry of Culture of the Republic of Lithuania
  • Vilnius City Municipality
  • K-operator International Cultural Program Centre
  • Gloria Moments
  • VŠĮ "Artkomas"
Nomeda Saukiene.”Rabbits” Game. 1994. Oil on canvas. 100х100
17 may 2012—18 june 2012
For the first time in Russia this exhibition presents the creative oeuvre of the modern Lithuanian artists Sharunas Sauki, his wife Nomeda Saukene and son Mikolas Sauki. Despite of all stylistic and thematic differences presented works are common in the authors’ aspiration for comprehension of contradictory and dramatic problems of a human being in complex many-valued images. Along with fantastical floral motifs-fantasies by Nomeda Saukene the show include surrealistic canvases by Sharunas Sauki that are devoted to the enigmatic and frighten world of the subconscious and dreams, and expressive and often shocking sculpture objects by Mikolas Sauki.

Šarūnas Sauka. Father’s Portrait. 1986. Oil on canvas. 149х109 Šarūnas Sauka. Biography. 2003. Oil on canvas. 232х212 Nomeda Saukiene. Sleeping Girl. 1999. Oil on canvas. 116х90 Šarūnas Sauka. Monika. 2010. Oil on canvas. 95х140 Nomeda Saukiene. Keeper. 2004-2005. Холст, масло. 90х80 Mykolas Sauka. The Present Is Still. 2011. Installation of 11 objects, polyester resin, fiberglass, acrylic paint. Dimension variable

Exhibitions
Landscape in Sculpture. Sculpture in Landscape

Landscape in Sculpture. Sculpture in Landscape

29 july—30 september 2021

The exposition brings together about 130 works from the collection of the Russian Museum and private collections. Along with sculptural works and samples of numismatics, the exhibition presents paintings dedicated to the depiction of sculpture in a landscape.

Aidan Salakhova. From the New Saints Series.

Aidan Salakhova. From the New Saints Series.

24 june—25 october 2021

Aidan Salakhova is a famous Russian painter and sculptor, pedagogue, recent active gallery owner and public figure. Her career in recent years has been marked by sharp turns and a decisive change in artistic reference points, which did not prevent Aidan Salakhova from constantly remaining in the center of attention of both Moscow and the entire world creative audience.

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