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STEPHAN SPICHER

1 February 2007—30 April 2007
The one-man show of the Swiss artist Stephan Spicher presents more than forty works from the Blossom series (2006). The art critics define the school in which Stephan Spicher works as Minimalism (concerning the works of the period of linear compositions) and as Abstract Expressionism (concerning his recent works). Both schools are aimed at abandoning representation and the use of reductionist strategies. The works from the Blossom series exhibited in the Russian Museum represent abstract formulae, colour arabesque: the concept is realized with the help of pure painting - the dramaturgy of the line, patch and colour. There is no representation, no manifestations of the mimetic. At the same time the artist is clearly concerned by the relationship with the organic. In order to visualise this relationship, he chooses a special channel, which is not mimetic, but mythical-poetic. So if one pole of Spicher's art is reduction to pure abstraction, the other is the sensation of the processional and inclusion in the natural. Stephan Spicher was born in Basel (Switzerland) in 1950. Studied under an Italian painter B. Assenza in the Art Academy in Basel. Spicher created his first black and white works in Berlin in 1982, which later underlay several large-scale cycles. In 1986 he worked in Japan at painting panels for two- and three-part pictorial compositions. 1992 - studied and worked in an art studio on the Bali Island (Indonesia) within the framework of the Christoph Merian Foundation programme. 1993 - new series of works by Spicher - Space and Counterspace; 1996 - his first work on zinc.
Exhibitions
For the Glory of Russia. Entrepreneurs and Patrons in Russia in the 18th – Early 20th Centuries

For the Glory of Russia. Entrepreneurs and Patrons in Russia in the 18th – Early 20th Centuries

6 June—5 August 2024

Merchants, the “third estate”, at that time, were the basis of Russia’s economic power. The Stroganovs, the Demidovs and other entrepreneurs sometimes established entire “empires” with their own settlements, roads and internal regulations. The richest merchants became nobles and patrons of the arts. The exhibition is unique, both in the themes it explores and in the works it presents.

Masterpieces from Taganrog Rescued at the Russian Museum

Masterpieces from Taganrog Rescued at the Russian Museum

24 April—13 May 2024

In July 2023, an explosion in the city centre of Taganrog damaged several artworks at the Golden Names of the Silver Age exhibition in the Taganrog Art Museum. The Russian Museum offered immediate support with the restoration of 22 art pieces. During the restoration, which lasted over 6 months, the staff of the Russian Museum not only eliminated the mechanical damage that the art objects had received at the time of the explosion, but also completely restored all 22 masterpieces, revealing their original appearance and artistic concept.

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Collection highlights

The collection of masterpieces, chosen by the Russian Museum will allow you to make a first impression of the collection of the Russian Museum.

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Russian Museum - one of the world's largest museums and is perhaps the only country where such a full treasure of national culture are presented.
Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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