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VLADIMIR YASHKE. PERSONAL PARADISE

Supported by:
  • Sistema Finance Investments
Red Tram. 1996. Oil on canvas. Property of author.
11 december 2013—14 april 2014

Vladimir Yashke is the legendary figure in the Avant-garde of St. Petersburg. He is known as the "grandfather" of Mitki art group because he is the older participant of this famous phenomenon of the art of Petersburg. But Yashke had become the independent and outstanding artist far before his meeting with Mitki art group. Yashke is working actively even nowadays, mostly for himself, in his individual manner that is marked by the free manner of painting and close attention to the problems of colour and facture that are most significant for the painting of the 20th century. The works by Vladimir Yashke are stored in the collection of the Russian museum and other museums in Russia and also in the prestigious private collections of Russia and foreign countries. The exposition in Marble Palace for the first time ever presents the basic stages of Yashke's creative path. On the exhibition devoted to the 65th birth anniversary of this artist about 100 works are on show. Alongside with the paintings that organically combines romantic and humor, chamber motifs and grotesque superfluity of form there are presented his early so-called Sevastopol sketches, graphic works and pastels. These works are given from private collections of Moscow and St. Petersburg and from the Russian Museum.  

With the financial support of Sistema Finance Investments

Trees and Lighthouse. 1993. Oil on canvas. Property of author. Zina and the Bird. 1996. Oil on canvas. Property of author. Zina and Mirror. 1990. Oil on paper mounted on canvas. Collection of D. Pinsky, Moscow.

Exhibitions
Structures

Structures

6 april—29 may 2017

The project that includes art pieces from 1960s to present time is aimed to investigate the concept of the structure (from Latin structura ‎- a fitting together, adjustment, building).

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Marcello Lo Giudice

Marcello Lo Giudice

2 march—15 may 2017

Lo Giudice works with the abstract line and uses special figurative means to represent the geographical forms and processes. Man-made and procedural factors are the core aspects of his art.

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