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ALEXEI TALASCHUK. PAINTING. WATER COLOR. ENAMEL.

Supported by:
  • the "Free Artists of St.Petersburg" project
Lightly Day. 2002. Oil on canvas. 80х80
26 June 2014—28 July 2014
The exhibition includes paintings, watercolors and enamels by Alexei Talaschuk, the famous artist and muralist, President of Saint Petersburg Art and Industry Academy named after A. Shtiglitz. Talaschuk's works are filled with images and subjects related to the cultural heritage of the ancient East and Europe which in his works become expressive plastic signs, designed in the spirit of Russian avant-garde art. The author's style is characterized by the use of the art of the hint, when an image is conceived as a presentiment or a potential. In paintings and graphics by Talaschuk an inimitable image is a result of a complex interaction of motives and subjects from a variety of sources, articulated on the language of lines, colours and space. Mythological and religious symbols interact with the personal experience of the author and become part of the creative world of the modern artist.

Intercommunication. 2003. Oil on canvas. 80х80 A Kiss of Golden Fish. 1995. Copper, enamel. 30x20. Meal. 1990. Copper, enamel, wood. 30x20. Dialogue with a Bird. 2001. Copper, enamel. 30x20. Evening. Returning. 1997. Water color on paper. 95х115 Boatman. 1999. Water color on paper. 90х110.

Exhibitions
The Lives of Remarkable Dogs

The Lives of Remarkable Dogs

17 May—10 November 2025

The exhibition explores the presence of dogs in Russian life and art. It addresses a historical process in all its forms – from the history of the state to the narrative of everyday life. A significant portion of the works on display were created in the 20th century and during the first two decades of the 21st century. Artist and dog have traveled a long road together in Russian art, and this journey still holds the promise of many discoveries to come.

Assemblage, Object, Installation

Assemblage, Object, Installation

26 February—21 April 2025

The Russian Museum continues to acquaint its visitors with various types and movements of contemporary art. The exhibition traces the evolution of assemblage, object and installation in Russian art. Once shocking with their novelty and peculiar nature, now they are no longer perceived as a “slap to the face of public taste” but occupy a firm place on the contemporary art scene.

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