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KIMSOOJA. NeedleWoman (An exhibition held in the context of [PRO]SMOTR Festival of Video Art) (The Ludwig Museum in the Russian Museum)

19 november 2003—18 january 2004
KIMSOOJA (Kim Sooja) is an American artist of Korean origin. In her paradoxical performances, installations, and video-works she combines ideas of the traditional and the global, the full and the empty, the motionless and the flow of time. The "NeedleWoman" installation consists of four video-projections. Each of screens, placed along the walls of a dark room, shows a woman standing still. This is the artist who is modestly dressed and is turned with her back to the viewer. She is the NeedleWoman. During the seven minutes masses of passers-by flow around her; they are at their business and often pay no attention to the still figure. Footings took place in the noisiest streets of four cities: Delhi, Tokyo, Shanghai, and New York. Kim Sooja is always still and turned with her back to us. Passers-by, which constantly move towards viewers, see what we cannot. We do not understand why is she standing like this, is she crying or laughing, is she pretty or not? The NeedleWoman has no personal character. Wrapped in neutrally grey clothes, the artist's figure seems immaterial, balancing between absence and presence. The NeedleWoman manages to go through flow of people and fabric of streets without moving at all.
Exhibitions
Landscape in Sculpture. Sculpture in Landscape

Landscape in Sculpture. Sculpture in Landscape

29 july—30 september 2021

The exposition brings together about 130 works from the collection of the Russian Museum and private collections. Along with sculptural works and samples of numismatics, the exhibition presents paintings dedicated to the depiction of sculpture in a landscape.

Aidan Salakhova. From the New Saints Series.

Aidan Salakhova. From the New Saints Series.

24 june—25 october 2021

Aidan Salakhova is a famous Russian painter and sculptor, pedagogue, recent active gallery owner and public figure. Her career in recent years has been marked by sharp turns and a decisive change in artistic reference points, which did not prevent Aidan Salakhova from constantly remaining in the center of attention of both Moscow and the entire world creative audience.

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Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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