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Sculpture in Stone

L. Eidlin. Requiem. 1993. Granite. 43 х 25 х 15
6 august 2015—5 october 2015
Stone is one of the most ancient sculptural materials. Its plastic and esthetic potential allows it reveal a huge variety of images and forms - from the religious statues and monumental gravestones to the elegant figurines and statuettes. In contrast to wood and bronze. which tend to be used in more applied spheres, the stone may represent the most abstract images and thus express complex philosophical concepts and serve as the best example of the sculpture as a phenomenon.

The exhibition presents the main traces of the evolution of the stone sculpture from the turn of XIX-XX-th centuries to the present day in the work of such sculptors as V. Domogatsky, V. Ignatiev, D. Kaminker, V.Klykov, L.Kolibaba, O.Komov, S.Konenkov, E.Rotanov, K.Simun, L.Smorgon, S.Erzia etc.

A. Ignatiev. Pieta. 1988. Touchstone. 107 х 45 х 52 M.Harlamova. Self-Portrait. 1985–1986. Granite, author’s patination. 70 х 24 х 46 L. Eidlin. Requiem. 1993. Granite. 43 х 25 х 15

Exhibitions
Mikhail Makhayev’s St Petersburg

Mikhail Makhayev’s St Petersburg

14 october 2022—16 january 2023

The sketches and drawings of Mikhail Makhayev (1717–1770), the great Russian 18th-century veduta master, are the only way we have of appreciating St Petersburg’s stately appearance during the mid-18th century. The exhibition features approximately 100 works: Mikhail Makhayev’s drawings, engravings, and paintings made from his drawings by Russian and Western European artists, as well as the engraved copper plates used to print St Petersburg city views in the mid-18th century.

Naum Mogilevsky. Sculptures and Drawings

Naum Mogilevsky. Sculptures and Drawings

6 october—12 december 2022

Naum Mogilevsky was one of the most outstanding artists of the circle that gravitated around the great sculptor and artistic mentor Alexander Matveyev. And yet his work has received very little scholarly attention and is practically unknown to many art lovers. This exhibition, including approximately 30 sculptures and 40 drawings, invites the audience to rediscover a forgotten master and explore the many facets of his talent.

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