The exhibition in the Garden Vestibule of the Mikhailovsky Palace is dedicated to the restoration of a large-scale painting National Fête During Shrovetide on Admiralty Square in St Petersburg (215 х 321 cm) by Konstantin Makovsky and its original frame.
Konstantin Makovsky painted National Fête During Shrovetide on Admiralty Square in St Petersburg in 1869, and in the same year the artist was made a professor of the Imperial Academy of Arts for this painting as well as for some other works. The painting depicts one of the most popular folk holidays symbolising the end of winter and the arrival of spring. The Russian Museum received the canvas from the Gatchina Palace in 1897. The long time of existence of this 150-year-old canvas and changing historical conditions have left their impact on the painting.
Full-scale comprehensive restoration of Konstantin Makovsky’s canvas National Fête During Shrovetide on Admiralty Square in St Petersburg (restorers Marat Dashkin and Olga Klyonova) was completed in the Russian Museum on the eve of the 2023 Shrovetide.
With support from Gazprom, partner of the Russian Museum restoration projects.
Images of St George the Victorious in Old Rus. In Memory of Tatyana Vilinbakhova
22 december 2022—13 february 2023
The exhibition spotlights old Russian icons, wooden sculptures, personal sacred objects and jewellery created in various places and at different times, yet sharing the same theme. St George is one of the most highly venerated saints in Russia. His image is viewed as symbolic of Russian history. “St George and the Dragon” is the most frequently recurring subject in the Russian St George iconography.
Portrait of a Young Man in a Green Caftan by Ivan Nikitin
1 september 2022—14 november 2022
When in 1897 the Emperor Alexander III Russian Museum received the painting Portrait of a Young Man in a Green Caftan (late 1720s – before August 8, 1732) as a donation from the art collection of Prince Alexei Lobanov-Rostovsky, it was deemed to be an early 18th-century painting by an anonymous artist. The remarkable portrait was later thought to have possibly come from the hand of Ivan Nikitin, but sufficient evidence to prove that came to light only as recently as the mid-2010s, in the findings of a multidisciplinary study and thorough restoration.
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Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)
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