Branches:

Mikhail Karasik. Selfportrait

4 september 2003—28 september 2003
The exhibition includes works by Mikhail Karasik - an avowed leader of artist's book current in Russia. Self-portrait is a certain sizing up and is devoted to the semi-centennial of the author. The exhibition showcases books whose texts have been written by the artist himself, and many of them can be characterized as autobiographic, or even "dairy" like. Mikhail Karasik is a leading author, ideologist, organizer, and promoter of modern Russian artist's book towards the West; his works are kept in the most prestigious world libraries and museums. Emphasizing plastic and not literary nature of his books, the artists form them as an inner sole, a mitten, a vodka bottle, or disposable utensil. They can be round, long, polygonal, or folded like a fan. All the books have their cases of jackets; so that one can not only read them but also play with them, communicate with them. Passport, Sberknizhka (savings-bank book), Trudovaya knizhka (work record card) are those official papers without which a person does not exist for a society. But for Karasik these books become a kind of autobiographic prose, sometimes extremely frank one. Unlike conceptualists, who work mainly with foreign language and in foreign language, Karasik always talks about himself emphasizing confidential, intimate nature of conversation: texts of his books are hand-written and in all the copies occasional slips and mistakes are repeated. In his oeuvre, Karasik uses tradition of the Russian futuristic book of 1910-1920s - lithographic publications with illustrations by K.Malevich, M.Larionov, N.Goncharova, O.Rosanova, and P.Filonov. However, while futuristic books with their exercisebooks-like untidy look were meant to epater and to be knowingly anti-aesthetic, Karasik's books, on the contrary, are elegantly aesthetic. The artist thinks carefully over all the elements of decoration, he experiments with paper, use advertising posters and tracing paper; pattern for embroidery and rough cardboard. The fact that form of every book is carefully thought over has conceptual meaning, since a book is seen by the artist as a detailed metaphor of contents.
Exhibitions
Posters of the Revolutionary Era

Posters of the Revolutionary Era

15 september—6 november 2017

The genre of political poster in the Russian art formed and developed in the first years after the Revolution of 1917. The exhibition at the Marble palace dedicated to the 100th anniversary of the Revolution presents a large-scale and impressing outlook of the birth and formation of the Soviet poster as a specific art genre on the example of the art works from the collection of the Russian Museum.

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Children of the Soviet State

Children of the Soviet State

7 september—20 november 2017

The works by painters, graphic artists, sculptors and masters of the applied arts, created in 1920-1980-s, provide a vivid image of the Soviet State smallest citizens’ life. Through the images of children of the Soviet State these art pieces reflect the pages of Soviet history – both heroic and  tragic.

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The collection of masterpieces, chosen by the Russian Museum will allow you to make a first impression of the collection of the Russian Museum.

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Virtual tours

Russian Museum - one of the world's largest museums and is perhaps the only country where such a full treasure of national culture are presented.
Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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In the online shop of the Russian Museum presented a huge range of souvenirs, illustrated editions and multimedia disks.

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