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The Third Room

3 september 1999—6 october 1999
October 1999 in St Michael's (Engineers) Castle of the Russian Museum. The exhibition was held in collaboration with the Third Room Foundation (Dusseldorf, Germany) and was based on the theme Children and the Future. It presented works of painting, photography, objects and installations by artists belonging to the various nationalities now living in Germany. The aim of the exhibition was to draw attention to our responsibility towards children and the need to teach them to unite art with reality.
The exhibition is divided in three sections, each of which symbolizes a stage in the development of a child entering society. The first part demonstrates forms adopted from nature: the birth and life conditions of a newly-born infant are recreated and shown as "pliable forms". The second part incarnates the reality that surrounds a child and a succession of influences -that which might be called the "current of experience", to use the term of American psychologist and philosopher William James. The third stage addresses synthesis, when self-conscience and creative work should destroy the walls of "closed reality". A series of meetings and discussions conducted by artists were planned to coincide with the exhibition, as well as a number of master-classes for local young people.
Exhibitions
Anna Leporskaya. Painting, Graphic Art, Porcelain

Anna Leporskaya. Painting, Graphic Art, Porcelain

15 december 2021—14 march 2022

In the summer of 2017, the collection of the Russian Museum received a donation of an extensive collection of works by various artists, which was called the Leporskaya Archive in historiography. The archive included over 600 works by Anna Alexandrovna Leporskaya herself: 512 drawings, watercolors, gouaches, 10 canvases and more than 100 porcelain items.

I Am Dostoevsky. To the 200th Anniversary of the Writer’s Birth

I Am Dostoevsky. To the 200th Anniversary of the Writer’s Birth

13 november 2021—14 february 2022

The F.M.Dostoevsky Literary-Memorial Museum presents an exhibition to the 200th anniversary of the writer.

The exhibition is based on paintings from the imaginary "ideal museum of the writer", which were especially significant for Dostoevsky throughout his life. He did not miss a single exhibition in St. Petersburg, in Europe he got acquainted with the main museums and galleries, he knew the Dresden Gallery, the Pitti Palace, the Uffizi almost by heart. He considered Raphael's Sistine Madonna one of the greatest masterpieces, admired the landscapes of Claude Lorrain, the gates of the Florentine Baptistery, Saint Agatha by Sebastiano del Piombo, Penitent Magdalene by Batoni, this list is pretty extensive.

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Virtual tour of the museum complex. 2009 (Rus., Eng., Ger., Fin.)

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